A photograph of the seventy-three year old artist, Bernard Francis Dillon, opens his gallery in which numerous drawings and paintings are exhibited.
The earliest works date back over sixty years to when he was a part time student at the Hammersmith College of Art, Lime Grove. He was studying anatomy and life drawing under the guidance of his tutor, CAREL WEIGHT, R.A.
As Carel Weight was professor of painting at the Royal College of Art as well as being a Royal Acadamy Trustee considerable information about him can be found on the internet.
As is widely known, Dillon spent most of his working life painting for a living and, before Letraset and computers were introduced to the world, this had to include lettering. Today, eight years after his official retirement, he continues to sit at his easel painting ‘what he wants, when he wants’. He says that he is now in a position to survive without the need to seek commissions.
However, this is not the case for his two sons, STEVE DILLON and GLYN DILLON for they are, as already mentioned, both professional artists with much being written about them on the internet. His daughter, Julie, is also artistic but has chosen to remain an amateur expressing her creative side in tapestry. His grandson, MARK DILLON, is also a professional artist and lecturer having acquired his fine arts Masters Degree, MFA. at Slade in London.
The artist’s first preliminary composition sketch of the Right Rev’ Dr., Alan Smith, 10th. Bishop of St. Albans, before embarking on the painted portrait.
Unfinished pencil drawing of his eldest son, Steve, in 1978. He became a professional artist in 1979.
A pencil sketch of his only daughter, Julie, in 1979. She is now an advisor in the care and education of Autistic children.
“Umbilical Strangulation” Oil on board, 36″ x 20″. Exhibited in the 2013/14 Annual Exhibition held in the Municipal Art Gallery and Museum of Luton.
Owing to the popularity of Bernard F. Dillon’s occasional side step into the realms of Surrealism there are very few to exhibit here. The vast majority of them are already in private collections.
A pencil sketch of his seven year old son, Glyn, in 1978. Eleven years later he became a professional artist, a graphic novelist and a costume designer
"Luton's Personal Sacrifice, (near and far) by Bernard Francis Dillon. Oil on Board, 42" high.
The painting was exhibited in the Luton Museum's Annual Art Exhibition 2013 sponsored by the Murry Barford Trust. The Judges awarded it the 'Inspired by Luton' Prize.
The Deputy Mayor of Luton, Councillor Zia, presenting 'The Inspired by Luton' Annual Art Award to Bernard Dillon